A sermon preached by the Very Rev. Mike Kinman at Christ Church Cathedral on Sunday, September 30, 2012
“If your hand causes you to stumble, cut it off; it is better for you to enter life maimed than to have two hands and to go to hell, to the unquenchable fire.”
“If your hand causes you to stumble, cut it off; it is better for you to enter life maimed than to have two hands and to go to hell, to the unquenchable fire.”
If the answer is, “No.” Then it’s got to go.
Let me say that again.
If the answer is, “No.” Then it’s got to go.
Kind of sounds like I’ve got a Johnnie Cochran thing going, doesn’t it? But it’s true. If you’re going to create something of incredible power and beauty, there’s one rule you have to follow:
If the answer is, “No.” Then it’s got to go.
Maybe this story can help me explain.
You can have a good argument about what the most impressive sculpture ever carved is, but any conversation has got to include Michelangelo’s David. Not only is it exquisite in its beauty, it’s absolutely enormous. David is 17 feet tall and weighs more than six tons.
What you might not know is that Michelangelo wasn’t the only artist to work on David. In fact, David was commissioned and the huge stone block for it was quarried and dragged to Florence 11 years before Michelangelo was even born. You see, the original contract to carve David was given to Agostino di Duccio, a student of Donatello. He worked on it for two years and very roughly started to shape the legs, feet and torso. But then his master, Donatello, died, and for reasons nobody quite knows, Agostino stopped.
And so this 17-foot tall, 13,000 pound partially carved block sat there. And it sat there. And it sat there. This huge, haphazardly carved block of marble stood virtually untouched … for 35 years. Until finally, the commission to finish it was awarded to a 26 year old artist named Michelangelo, who had just finished another beautiful work, the Pieta, in St. Peter’s Basilica in Rome.
Michelangelo worked on it for two and a half more years, and what he finished with was the masterpiece we know today. There’s a story that soon after the public unveiling he was standing by David and someone asked him, “How did you do it?” “How did you succeed where others had failed? How had you made something so magnificent out of something that had been carved up and discarded and given up on for more than three decades?”
“That’s easy,” he said. “I simply chipped away everything that wasn’t David.”
That’s all.
He simply looked at every piece of that enormous block of marble and asked, “Is this David?”
And if the answer was, “No.”
Then it had to go.
I’m not sure there is a better parable of following Jesus, a better image of discipleship than this story of the great artist and that enormous partially carved and then abandoned block of marble.
That’s because there is a masterpiece inside each one of us. Inside each one of us is a creation of deep and profound beauty just waiting to be revealed. And like that giant piece of stone, we have been worked on and worked over by lesser artists. Artists who maybe saw something in us but not the deepest beauty that lies within. Artists who didn’t know how to bring it out.